• Frederic Yves Michel NOEL review Trace Elliot V-Type Bass Amp

    The Trace Elliot V-Type series is renowned among bassists for delivering warm, tube-driven tones reminiscent of vintage British amplifiers. Models like the V4, V6, V8, 300H (Model 5001), and 600H have garnered acclaim for their robust construction and musical responsiveness.


    🎛️ Key Features

    • Preamp: Most V-Type amps feature a tube preamp section utilizing 12AX7 (ECC83) valves.

    • Power Amp:

      • 300H / Model 5001: 300W MOSFET solid-state power amp.

      • 600H: 600W MOSFET power amp.

      • V4: 220W all-tube amp with 4x KT88 power tubes.

      • V6: 400W all-tube amp with 6x KT88 power tubes.

      • V8: 400W all-tube amp with 8x KT88 power tubes.

    • EQ & Controls: Simple yet effective 3-band EQ (Bass, Mid, Treble) with Deep and Bright switches for tonal shaping.

    • Connectivity: Balanced XLR DI output with ground lift and pre/post EQ options, effects loop, and multiple speaker outputs.


    🔊 Tone & Performance

    The V-Type series is celebrated for its warm, rich, and harmonically complex tones. The tube preamp imparts a natural compression and dynamic response, making it suitable for various genres, from rock and blues to funk and jazz. The MOSFET power sections in models like the 300H and 600H provide a clean and punchy output, while the all-tube V4, V6, and V8 models offer a more saturated and vintage character.

    Users have noted that the V-Type amps pair exceptionally well with basses like the Music Man StingRay, delivering a muscular and articulate sound. The amps’ simplicity in controls allows for quick dialing in of desired tones without overwhelming options.


    🛠️ Build Quality & Reliability

    Constructed in the UK, the V-Type amps are built to last, featuring robust chassis and high-quality components. However, some users have reported issues with solder joints and connector reliability over time, particularly in combo models. Regular maintenance and servicing can mitigate these concerns, ensuring the amp’s longevity.Audiof


    🧭 Pros & Cons

    Pros:

    • Authentic tube tone with dynamic response.

    • User-friendly interface with essential controls.

    • Versatile for various musical styles.

    • Built-in DI output for direct recording or live use.

    Cons:

    • Heavier weight, especially in all-tube models.

    • Limited availability due to discontinued production.

    • Potential maintenance needs over time.


    📈 Market & Availability

    As the V-Type series is no longer in production, these amps have become sought-after on the used market. Prices vary based on condition and model rarity, with all-tube versions like the V8 commanding higher prices due to their limited production numbers. Enthusiasts often search platforms like Reverb and specialized forums to find these units.


    🎬 Further Exploration

    For a visual and auditory overview of the Trace Elliot V-Type series, consider watching the following video:


    If you’re interested in acquiring a Trace Elliot V-Type amp or need assistance in finding one that suits your preferences, feel free to ask for more information or guidance.

  • Frederic Yves Michel NOEL review OBNE Beam Splitter

    🎛️ Design & Controls

    The Beam Splitter features three distinct overdrive channels, each with its own set of controls:Coast Sonic+2MusicRadar+2escapefromnoise.com+2

    • Purple: Hard-clipping distortion, delivering the most aggressive and compressed tone.

    • Green: Soft to hard-clipping overdrive, producing a bright and chime-like sound.

    • Blue: Transistor-based drive, offering a neutral and reactive response.Sound on Sound+4MusicRadar+4delicious-audio.com+4

    Each channel includes Gain, Volume, and Tone knobs. The Green and Blue channels also feature Time and Decay controls for delay effects, with the Deviate knob introducing random modulation for a more natural, chorus-like effect .​loopydemos.com+6delicious-audio.com+6Coast Sonic+6Russo Music+6guitarbomb.com+6Sound on Sound+6

    The pedal supports multiple routing options:​

    • Mono Output: Combines all three channels into a single output.

    • Stereo Output: Allows each channel to be sent to separate outputs for a wider stereo image.

    • “Trereo” Setup: A term coined by OBNE, enabling even more expansive routing possibilities

      .​

    Additionally, an expression pedal can be connected to control the Deviate knob, offering real-time modulation adjustments.​


    🎶 Sound & Performance

    The Beam Splitter excels in creating a massive sound by layering multiple distorted signals with varying delay times. This setup can emulate the effect of double or triple tracking, enhancing the depth and presence of the tone. The Deviate control adds a sense of randomness, mimicking the nuances of multiple performances.​

    While it’s particularly suited for heavy rock and experimental genres, the pedal is versatile enough to complement synths, drum machines, and other electronic instruments .​


    ✅ Pros

    • Innovative multi-channel overdrive with delay and modulation.

    • Flexible routing options for various setups.

    • Expression pedal compatibility for dynamic control.

    • Capable of creating rich, layered tones suitable for various genres.

    ❌ Cons


    💰 Pricing & Availability

    The Beam Splitter is priced at approximately $229 USD. It’s available through various retailers, including Old Blood Noise Endeavors, Coast Sonic, and Escape from Noise.escapefromnoise.com+1Coast Sonic+1

  • Frederic Yves Michel NOEL review Mesa Boogie Vtwin Preamp

    The Mesa/Boogie V-Twin Preamp is a legendary dual-channel tube preamp pedal that delivers true Mesa amp tones in a compact, pedal-friendly format. Released in the 1990s, it remains a sought-after piece for guitarists wanting rich tube-driven sound without lugging a full amp.


    🔍 Overview

    • Type: Tube preamp pedal (2x 12AX7 tubes)

    • Modes: Clean, Blues, and Solo (high-gain)

    • Outputs: 1/4″ outs for Amp, Mixer (with cab sim), and FX Loop

    • Power: External 12V AC adapter (not standard 9V DC)

    • Build: Chrome-plated tank-like housing—very rugged


    🎸 Sound & Performance

    💡 Clean Channel

    • Warm, round tones—good for jazzy cleans or pushing pedals.

    • Very responsive to playing dynamics.

    🔥 Blues Channel

    • Mid-gain drive with tube warmth and smooth breakup.

    • Think creamy SRV tones to classic rock grit.

    🤘 Solo Channel

    • High-gain distortion that nails the classic Mesa Rectifier-style sound.

    • Perfect for metal, hard rock, or modern lead tones.

    • Lots of sustain and aggression—tight low-end and pronounced mids.

    🎛️ Cab Sim Output

    • Great for direct recording or live setups without a mic.

    • Sounds surprisingly good for its era, though modern IR loaders may offer more realism.


    Pros

    • Real tube tone in pedal form

    • Versatile: can be used as a preamp, overdrive, or DI box

    • Rugged, gig-worthy build

    • Cab-sim out is very handy for silent recording/live

    Cons

    • Needs 12V AC power—not DC, and it’s picky

    • Heavy and large by today’s pedal standards

    • Can be noisy at high gain levels without a noise gate

    • No MIDI or presets—it’s old-school analog all the way


    🎯 Best For

    • Players wanting authentic Mesa tone without a full amp

    • Recording artists who want a solid direct-to-DAW solution

    • Gigging musicians needing a versatile tube preamp


    🏁 Final Verdict

    The Mesa V-Twin Preamp is a classic—a powerful, all-tube tone machine with vintage Mesa character. While it shows its age in some areas (size, power requirements), it still delivers the goods for anyone craving authentic Boogie tones in a more portable form.

    Would you like recommendations for modern alternatives (like the Mesa Subway or other tube preamp pedals)?

    https://legacy.mesaboogie.com/support/out-of-production/v-twin-preamp.html

  • Frederic Yves Michel NOEL review Joyo JF-01 VINTAGE overdrive

    It is my only test of a tube screamer that I tested, I love to drive a tube amp with a tube screamer before, it is making a warm overdrive sound full of mid range.

    The Joyo JF-01 Vintage Overdrive is an affordable overdrive pedal that emulates the classic Ibanez Tube Screamer, offering warm and dynamic overdriven tones.

    Key Features:

    • Controls: Drive, Tone, and Volume knobs allow for precise shaping of overdrive characteristics.

    • Circuitry: Utilizes the RC4588 op-amp to deliver the signature Tube Screamer sound.

    • Bypass: Equipped with true bypass switching to maintain signal integrity when disengaged.

    • Power: Operates on a standard 9V battery or DC adapter.

    Performance:

    The JF-01 is praised for its ability to produce warm, clear, and crunchy overdrive tones. It functions effectively as a standalone overdrive into a clean amplifier or as a boost to push an already distorted amp, adding warmth and depth.

    Pros:

    • Authentic Tube Screamer-like tones at a budget-friendly price.

    • Versatile use as both an overdrive and a clean boost.

    • Solid build quality despite its affordability.

    Cons:

    • Some users have reported noticeable background noise when the pedal is engaged.

    • The aesthetic design, particularly the color scheme, may not appeal to all players.

    User Feedback:

    Many guitarists appreciate the JF-01 for delivering tones comparable to higher-end overdrive pedals, making it a popular choice for those seeking quality sound without a significant investment. However, individual experiences with noise levels and tonal preferences can vary.

    Conclusion:

    The Joyo JF-01 Vintage Overdrive offers impressive performance for its price point, making it a worthy consideration for players looking to capture classic overdrive tones on a budget.

    For a detailed video review and sound demonstration, you might find the following helpful:

  • Frederic Yves Michel NOEL review DemonFx R3 and R4

    The Demon FX R3 and R4 are distortion pedals inspired by the high-gain channels of Revv Amplification’s G3 and G4 pedals, respectively. Manufactured by Demon FX, these pedals aim to deliver the sought-after tones of their premium counterparts at a more accessible price point.


    Demon FX R3

    Overview: The R3 pedal emulates Revv’s Purple Channel 3, known for its tight and articulate distortion. It’s designed to provide a versatile range of tones suitable for various genres.

    Key Features:

    • Controls: Gain, Volume, Bass, Middle, Treble

    • Aggression Modes: Three-position toggle (Red/Off/Blue) to adjust the pedal’s voicing and saturation

    • Bypass: True bypass switching

    • Power: Standard 9V DC input

    Performance: Users have noted that the R3 delivers a clear and sustaining distortion, capturing the essence of the Revv G3’s tone. Its versatility allows it to integrate seamlessly into various rig setups, functioning effectively as a “distortion channel” in front of a clean amp or as an additional gain stage with multi-channel amplifiers.


    Demon FX R4

    Overview: The R4 pedal is modeled after Revv’s Red Channel 4, recognized for its thick and saturated distortion. It’s tailored for players seeking a heavier, more aggressive sound.

    Key Features:

    • Controls: Gain, Volume, Bass, Middle, Treble

    • Aggression Modes: Three-position toggle (Red/Off/Blue) to modify the pedal’s voicing and saturation

    • Bypass: True bypass switching

    • Power: Standard 9V DC input

    Performance: The R4 is praised for its ability to produce a wide, thick tone with substantial bass response and ample high-end presence. It’s particularly suited for genres requiring high-gain distortion, delivering a sound that closely mirrors the Revv G4’s characteristics.


    General Considerations:

    Both pedals are constructed with a compact design, featuring top-mounted jacks for easy integration into pedalboards. They are powered via standard 9V DC power supplies (not included). While they offer a cost-effective alternative to the original Revv pedals, potential buyers should be aware that, as with many clone products, there may be differences in component quality and long-term durability.

    In summary, the Demon FX R3 and R4 pedals provide guitarists with affordable options to achieve high-gain tones reminiscent of Revv’s acclaimed amplifier channels, making them worthy considerations for those seeking versatile and powerful distortion sounds.

  • Frederic Yves Michel Noel review of BS-301 Mystery Brain by Nocturne Brain

    The BS-301 Mystery Brain by Nocturne Brain is a boutique tape-echo-inspired preamp and delay pedal, heavily influenced by the vintage Roland RE-301 Space Echo but reimagined for modern guitarists—especially rockabilly, surf, and roots players. it is one of the favorite tape echo replica of Frederic Yves Michel NOEL

    Here’s a full breakdown of what makes it special:


    Overview

    • Type: Preamp + Delay Pedal (inspired by RE-301)

    • Controls: Preamp Gain, Delay Time, Delay Repeat, Delay Mix, Wow & Flutter

    • Footswitches: Preamp on/off, Echo on/off

    • Power: Standard 9V power supply

    • Build Quality: Rugged, boutique-level construction


    Sound & Features

    Preamp Section (El Capitan)

    • Modeled after the Roland RE-301 preamp, which has a different sonic character than the RE-201.

    • Adds warmth, compression, and subtle harmonic richness.

    • Can be used as an always-on boost to shape tone.

    Echo Section

    • Tape-Style Delay: Analog-voiced digital delay with a warm, slightly degraded tape sound.

    • Wow & Flutter: Adds modulation for a more authentic tape feel.

    • Longer Delay Times: Unlike the RE-301, this pedal allows for longer delay times, making it more versatile.

    • Cleaner Operation: No real tape, so no need for maintenance like in a real Space Echo.


    Pros & Cons

    Pros:

    • Nails the vintage Space Echo preamp sound

    • Tape-style delay without the hassle of real tape

    • Great for rockabilly, country, and retro tones

    • Boutique build quality and unique design

    Cons:

    • No actual tape, so hardcore purists might prefer real tape echoes

    • Limited to a vintage delay vibe—no ultra-modern delay features

    • Pricey for a pedal (but much cheaper than an actual RE-301)


    Who Should Buy It?

    • Rockabilly, surf, blues, and country guitarists looking for the classic Brian Setzer-style echo.

    • Players who love preamp coloration—even without the delay, the preamp alone is a fantastic tone enhancer.

    • Anyone who wants a Space Echo flavor without the size, cost, and maintenance of a vintage unit.

    If you’re after a Brian Setzer-style tone or want a Space Echo preamp+delay in a pedal, the BS-301 Mystery Brain is one of the best options available.

  • frederic yves michel noel review of Roland RE201 Tape Echo

    The Roland RE-201 Space Echo is one of the most legendary tape echo units ever made. Introduced in the 1970s, it remains highly sought after for its warm, organic delay sound, lush reverb, and unique modulation characteristics. Here’s a deep dive into its strengths and weaknesses:


    Overview

    • Type: Analog tape echo with spring reverb

    • Era: 1974–1990 (produced by Roland)

    • Controls: Repeat Rate, Intensity, Echo Volume, Bass/Treble EQ, Reverb Level, Mode Selector

    • Outputs: Wet/Dry and Direct Output options

    • Tape Mechanism: Continuous-loop tape with three playback heads


    Sound Quality

    • Warm & Organic Delays: Unlike digital delays, the RE-201’s tape saturation and slight pitch variations create a rich, warm echo effect that feels natural and musical.

    • Multi-Tap & Feedback Madness: The three playback heads allow for different rhythmic delay patterns, and when cranked up, the feedback can create wild, self-oscillating effects.

    • Spring Reverb: The onboard spring reverb adds an extra layer of space and character, making it a fantastic tool for dub, psychedelic, and ambient music.


    Build & Reliability

    • Solid, but Maintenance-Heavy: The unit is built like a tank, but since it relies on real tape, maintenance is required—tape wear, motor issues, and dirty heads can affect performance.

    • Self-Noise: Vintage units tend to have some hiss and background noise, though this is part of their charm for many users.


    Pros & Cons

    Pros:

    • Beautiful, warm tape echo tone

    • Unique character and unpredictability

    • Built-in spring reverb

    • Durable, high-quality construction

    Cons:

    • Requires maintenance (tape replacement, cleaning, calibration)

    • Large and heavy compared to modern pedals

    • Original units can be expensive

    Who Should Get One?

    • Producers & Engineers looking for authentic tape echo warmth

    • Guitarists & Synth Players wanting vintage-style delays

    • Dub/Reggae, Psychedelic, Shoegaze, and Lo-Fi artists who love analog imperfections

    If you love the idea of real tape echo and don’t mind some upkeep, the RE-201 is one of the best-sounding delay units ever made. If maintenance is a dealbreaker, digital emulations (like the Boss RE-20 or Universal Audio Galaxy ‘74) provide great alternatives.

    Would you like recommendations for modern alternatives or mods to improve reliability?

  • Frederic Yves Michel NOEL interview about tube amps vs solide state amps

    Interviewer: Mr. Noël, thank you for joining us today. As an expert in the audio industry, could you explain the fundamental differences between tube amplifiers, solid-state amplifiers, and hybrid amplifiers?

    Frédéric Yves Michel Noël: Certainly. Tube amplifiers, often referred to as valve amplifiers, utilize vacuum tubes to amplify audio signals. They’re renowned for producing a warm, rich, and harmonically complex sound that many audiophiles and musicians cherish. However, they can be delicate, require regular maintenance, and are generally less energy-efficient.

    On the other hand, solid-state amplifiers employ semiconductor devices like transistors to amplify signals. They are prized for their durability, efficiency, and low distortion levels. While they offer precise and clear sound reproduction, some critics argue they lack the warmth and character associated with tube amps.All For Turntables

    Interviewer: And where do hybrid amplifiers fit into this spectrum?

    Frédéric Yves Michel Noël: Hybrid amplifiers aim to combine the best attributes of both technologies. Typically, they incorporate a tube preamp stage, which imparts the desired warmth and harmonic richness to the audio signal, and a solid-state power amp stage, ensuring efficient power delivery and reliability. This design allows users to experience the sonic benefits of tubes without some of the associated drawbacks, such as high maintenance and fragility.All For Turntables+2All For Turntables+2All For Turntables+2

    Interviewer: What are the advantages of using hybrid amplifiers over purely tube or solid-state designs?

    Frédéric Yves Michel Noël: Hybrid amplifiers offer a balanced approach. By leveraging tubes in the preamp section, they deliver a richer, more harmonically complex sound reminiscent of vintage tube amps. Meanwhile, the solid-state components in the power amplification stage provide efficiency and reliability, handling the heavy lifting of power delivery without the need for frequent maintenance. This combination caters to listeners who seek both sonic warmth and operational practicality.All For Turntables

    Interviewer: Are there specific scenarios or applications where one type of amplifier might be preferred over the others?

    Frédéric Yves Michel Noël: Absolutely. The choice often depends on the listener’s priorities and the intended use. For instance, audiophiles seeking the utmost in sound quality and who don’t mind regular upkeep might gravitate towards tube amplifiers. Professionals requiring consistent performance with minimal maintenance might prefer solid-state amplifiers. Hybrid amplifiers appeal to those looking for a middle ground, offering a blend of sonic warmth and reliability, making them suitable for both home listening and certain professional settings.

    Interviewer: How do personal preferences and listening environments influence the choice between these amplifier types?

    Frédéric Yves Michel Noël: Personal taste plays a significant role. Some listeners are drawn to the nostalgic, warm sound of tube amps, especially for genres like jazz or classical music. Others may prefer the crisp, detailed reproduction of solid-state amps for genres requiring precision. The listening environment also matters; for example, a well-ventilated space might better accommodate the heat generated by tube amps. Ultimately, it’s about aligning the amplifier’s characteristics with the listener’s sonic preferences and practical considerations.

    Interviewer: In your opinion, how should one approach the decision-making process when selecting between tube, solid-state, and hybrid amplifiers?

    Frédéric Yves Michel Noël: I recommend starting with an assessment of one’s listening priorities and practical requirements. Consider factors like desired sound characteristics, maintenance willingness, energy consumption, and budget. Whenever possible, audition different amplifier types with familiar music in a controlled setting to directly experience their sonic signatures. This hands-on approach, combined with thorough research, will guide individuals toward the amplifier that best aligns with their preferences and needs.

    Interviewer: Thank you, Mr. Noël, for sharing your insights on this topic.

    Frédéric Yves Michel Noël: You’re welcome. It’s been a pleasure discussing the nuances of amplifier technologies.

  • Frederic Yves Michel NOEL review of Ampeg SGT-DI preamp

    The Ampeg SGT-DI is a preamp and direct injection (DI) box designed for bass players, offering a range of features that emphasize sound quality and versatility. Here’s a detailed review of this piece of gear:

    ### Features

    1. **Tone Shaping**:

       – The SGT-DI includes classic Ampeg tone controls to emulate the sound of their iconic amplifiers. It typically features controls for bass, midrange, and treble adjustments, giving players precise control over their tone.

    2. **SGT (Super Grit Technology) Circuit**:

       – This feature simulates the grit and drive associated with Ampeg tube amplifiers. It allows players to dial in anything from subtle warmth to aggressive overdrive tones.

    3. **Ultra Hi and Ultra Lo Switches**:

       – These switches provide additional tonal flexibility by boosting high and low frequencies, allowing users to tailor their sound for different styles or complement other gear.

    4. **Cab Simulation**:

       – The SGT-DI often comes equipped with cab simulation options, which are particularly useful when recording or performing direct, as they add realism to the tone by emulating the sound of a bass cabinet.

    5. **Direct Output**:

       – As a DI box, it provides a high-quality direct output for connecting to recording equipment or live sound systems, ensuring that the bass tone is accurately captured.

    6. **Auxiliary Input and Headphone Output**:

       – These features make the SGT-DI a convenient tool for practice, allowing players to plug in an audio source for play-along sessions and use headphones for silent practice.

    7. **Footswitch Control**:

       – Often, a footswitch is included or can be attached to toggle between clean and overdriven tones or to engage and disengage the preamp.

    ### Performance and Sound Quality

    – **Tone Character**: The SGT-DI excels at delivering the signature Ampeg tone, characterized by its rich low end, punchy mids, and overall warmth. It captures the essence of Ampeg’s tube amplifiers, making it a popular choice for those seeking that classic sound.

    – **Versatility**: With its range of tone-shaping controls and additional switches, the SGT-DI is highly versatile. It can be adapted to suit a variety of musical genres and playing styles, from rock and metal to jazz and funk.

    – **Drive Section**: The Super Grit Technology circuit provides a wide spectrum of overdrive options. It maintains clarity and definition even at higher drive settings, which is a significant advantage for bass players wanting to retain note articulation.

    ### Build Quality

    – Ampeg typically produces gear that’s robust and road-worthy, and the SGT-DI is no exception. It usually features a solid metal chassis built to withstand the rigors of live performance and frequent transport.

    ### Conclusion

    The Ampeg SGT-DI is a powerful tool for bassists who value tone and versatility. It provides classic Ampeg sounds in a compact and flexible package, suitable for both live performance and studio recording. Its various features cater to a wide audience, from professionals to hobbyists. While it might come at a premium price, many bassists find the tonal quality and robust feature set justify the investment. As always, it’s best for players to try the unit themselves to ensure it fits their specific needs and preferences.

     

    https://ampeg.com/products/pedals/sgt-di.html

  • Frederic Yves Michel NOEL review of Mesa Boogie bass400+

    The Mesa Boogie Bass 400+ is my favorite bass amp.

    It is a well-regarded tube bass amplifier known for its powerful and rich tonal qualities. Here’s an overview of its sound characteristics and features:

    ### Sound Characteristics:

    1. **Rich Tube Tone**:

       – Being an all-tube amplifier, the Bass 400+ provides a warm, rich, and harmonically complex sound that is difficult to replicate with solid-state amps. Tubes are known for their natural compression and warmth, contributing to a dynamic and full-bodied tone.

    2. **Powerful Output**:

       – It’s capable of delivering intense volume and impact, making it suitable for larger venues and settings where a strong bass presence is required. It can cut through a mix effectively, providing clarity and power.

       

    3. **Versatile Tone Shaping**:

       – The Bass 400+ features a comprehensive EQ section which allows for a wide range of tones, from bright and punchy to deep and growly. It’s praised for its ability to accommodate different playing styles and genres, offering great adaptability.

    4. **Punchy Low End**:

       – Known for its commanding low-end response, it provides a deep and articulate bass sound that retains clarity even at higher volumes, making it ideal for driving bass lines and maintaining a strong foundation in a band setting.

    5. **Clarity and Definition**:

       – Despite its warmth and power, it maintains clarity and has a very defined tonal character. You can expect to hear the nuances of your playing, from fingerstyle and slapping to pick techniques.

    ### Features:

    – **Power Tubes**: Typically powered by a significant number of 6L6 tubes (usually 12), adding to its robust power output and tonal warmth.

    – **Preamp Section**: Features 12AX7 preamp tubes that contribute to its dynamic and responsive nature.

    – **Graphic Equalizer**: Often includes a 7-band graphic EQ for additional tonal shaping, allowing for even more precise control over your sound.

    – **Construction**: Built with durable and rugged materials, reflecting Mesa Boogie’s reputation for high-quality craftsmanship.

    ### Overall Appeal:

    The Mesa Boogie Bass 400+ is celebrated for its durability and premium tube sound. It’s often favored by professional musicians who demand a reliable amp with great tonal flexibility. Its classic tube-based design provides a nostalgic yet powerful option for bassists seeking traditional warm sounds with modern power and precision.

    If you’re considering acquiring one, try to test it in person, if possible, to see how it interacts with your particular instrument and playing style, as personal preference plays a significant role in how an amp is perceived by individual players.

     

    https://legacy.mesaboogie.com/support/out-of-production/bass-400.html