• Frederic Yves Michel NOEL review of Joyo Preamp House

    Below is an in‐depth review of the Joyo Preamp House based on its design, performance, and overall value:

    Overview

    The Joyo Preamp House is designed as a versatile preamp unit that caters to guitarists and studio enthusiasts alike. It’s aimed at those who want to dial in a range of tonal options—from pristine cleans to rich, saturated overdrive—without the high cost often associated with boutique preamps.

    Design and Build Quality

    • Robust Construction:

    The unit features a sturdy metal chassis that withstands the rigors of both live gigs and studio use. Its compact size makes it a great fit for pedalboards or rack setups, allowing easy integration into various signal chains.

    • User-Friendly Layout:

    Controls are intuitively arranged. This thoughtful design means that even if you’re new to preamps, you can quickly adjust gain, tone, and EQ settings without a steep learning curve.

    Tone and Performance

    • Versatile Sound Palette:

    One of the key strengths of the Joyo Preamp House is its ability to cover a wide spectrum of sounds. The clean channel provides a clear, uncolored tone, while the gain stages introduce warmth and a touch of vintage saturation ideal for overdriven sounds.

    • Dynamic Response:

    The preamp responds well to changes in playing dynamics. It can handle subtle nuances in your performance, making it a good companion for both delicate finger work and aggressive strumming.

    • Tonal Flexibility:

    Whether you’re aiming for a sparkling clean tone for jazz or a gritty distortion for rock, the Joyo Preamp House adapts well. The adjustable EQ controls allow you to fine-tune your sound, ensuring that your tone sits well in a mix.

    Features

    • Multiple Gain Channels:

    Switching between clean and overdriven tones is seamless, giving you the ability to cover different sonic territories without having to switch out gear.

    • Comprehensive Tone-Shaping Tools:

    With dedicated controls for gain, bass, midrange, and treble, you can sculpt your sound to match your personal style and the demands of your musical context.

    • Compact and Durable:

    Its design is both space-saving and built to last, which is particularly valuable for touring musicians and busy studio environments.

    Price and Value

    • Competitive Pricing:

    Priced attractively for its feature set, the Joyo Preamp House offers excellent value for both beginners looking to upgrade their tone and seasoned players seeking an affordable, reliable preamp solution.

    • Cost-Effective Versatility:

    When compared to higher-end preamps, it provides much of the same versatility and performance, making it a smart investment for those on a budget without sacrificing quality.

    Final Thoughts

    The Joyo Preamp House stands out as a well-rounded preamp that manages to combine robust construction with a broad tonal palette. It’s especially appealing if you’re after a preamp that can handle multiple styles—from crystal-clear cleans to warmly overdriven sounds—without breaking the bank. While some purists might prefer more granular control or additional tweakability found on more expensive models, the balance of features and price makes the Joyo Preamp House a compelling option for a wide range of applications.

    In summary, if you’re looking for a dependable, versatile preamp that delivers both quality and value, the Joyo Preamp House is well worth considering.

    This review is based on the general characteristics and performance expectations of modern preamp units from Joyo, reflecting the positive points that many users have noted.

  • Frederic Yves Michel NOEL review of the Fender Bassman Blond 63

    The Fender Bassman ’63 “Blonde” is  from the early 1960s, known for their distinctive blonde tolex covering and brown panel. These amplifiers hold a significant place in the history of electric guitar and bass amplification, praised for their sonic versatility and rich, warm tonal character.

    Key Features:

    The ‘Blonde’ refers to the cream/blonde-colored tolex covering, complemented by an oxblood grille cloth, which gives it a vintage aesthetic reminiscent of the early ’60s Fender amps.

    Known for its clean and powerful tone, which breaks up beautifully as you crank the volume. This makes it great for both bass and guitar, offering a distinct midrange punch and tight low end.

    Typically comes with dual channels, often referred to as “Normal” and “Bright,” allowing for varied tonal options. Each channel generally has volume, treble, and bass controls.

    Traditionally, these amps pack a good amount of power, often rated around 40 to 50 watts, providing plenty of volume and headroom for live performances.

    Sound and Performance:

    While initially designed as a bass amplifier, many bass players find that it provides a classic vintage tone. However, compared to modern bass amps, it doesn’t cover the sub-lows as efficiently but offers a unique tonal character from the era.

    Guitar players especially love the Bassman for its ability to produce clean tones that transition smoothly into a creamy overdrive. It’s often favored by rock, blues, and country musicians.

    Pros:

    – Vintage aesthetic and historical appeal.

    – Rich, warm tones with a natural overdrive.

    – Versatility for both bass and guitar use.

    Cons:

    – May not perform well for modern bass tones that require deep lows.

    – Can be heavy and bulky, depending on the cabinet paired with it.

    – Maintenance of tube amps can be more complex compared to solid-state amplifiers.

    Overall, the Fender Bassman ’63 “Blonde” is cherished by purists and vintage enthusiasts who appreciate its classic sound and style. It’s a timeless choice for musicians seeking that legendary Fender sound, but it might not cater to modern bass players seeking extensive low-end response or the portability and features of contemporary amps.

    It is for now my favorite pseudo clean amp, in did the Bass Chanel is crunching and combined with tube screamer it is already giving a strong over driven sound.

    I almost totally rebuilt it, will create polemics for sure but after months of testing, experimenting it sound better. There is no point to have an amp cracking and not sounding how it was built for.

    see inside components view

  • Frederic Yves Michel NOEL custom made tube amp fender deluxe 59

    Frederic Yves Michel NOEL, first custom build tube amp based on fender deluxe 59.

    1. triode/penthode switching (hal/full power)
    2. analog effect loop without any component added in original circuit
    3. diode protection for rectifier tube
    4. diodes/tube rectifier option, to enjoy the vintage lag of tube rectifier or more modern sounding with diodes
    5. Negative feedback switch with option no cathode cap option (3 positions, orginal, NFB, no cap)
    6. Upgraded rectifier tube from 5Y3 to GZ34 (5Y3 still accepted) to run power tube at better bias

    all mod (outside 6) are still keeping original circuit option so it is possible to run the amp as originaly designed

  • Frederic Yves Michel NOEL Teyeguitars

    Frederic Yves Michel NOEL favorite custom made guitars

    https://www.teyeguitars.com/  Peaces of art

    I currently have 3 of them

    https://www.teyeguitars.com/pages/jazz-cat-electric-guitar   the Jazz Cat

    https://www.teyeguitars.com/pages/apache-electric-guitar the Apache

    https://www.teyeguitars.com/pages/gypsy-queen-bruja-bass-electric-guitar the gypsy queen Bass 5